The year 1924, when his string quartet was performed at the renowned Festival of Modern Music in Donaueschingen, is considered the peak of Slavenski’s artistic career. This was followed by performances on a global scale—from Berlin, Buenos Aires, and Tokyo to Athens, Budapest, and Vienna, all the way to Venice and New York. Almost overnight, the world took an interest in the young composer, with the public publishing numerous articles about his works and him.